• Ceel Mogami de Haas
  • 1982, Selebi Phikwe, Botswanaceelmogamidehaas.cc
  • Education
    2010, Master in Contemporary Artistic Practices, Haute Ecole d’Art et de Design, Genève, CH
    2008, Bachelor in Photography, Gerrit Rietveld Academie, Amsterdam, NL
    2005, Bachelor in English and American Literature, Université François Rabelais, Tours, FR
    Exhibitions (Selection)
    2023, Oxeye Daisy Chain, Martin van Zomeren, Amsterdam, NL
    2023, What My Hands Know, Arti et Amicitae, Amsterdam, NL
    2022, Forget Chess—the Real Challenge Is Teaching AI to Play D&D, HEAD Campus, Genève, CH
    2022, A dome of many-coloured glass, Bologna.cc, Amsterdam, NL (with LIsa Plaut)
    2022, Death over lilac alley, Montez Press Radio, London, UK (with Ivan Cheng)
    2021, THENEVERENDINGSTORY, Le Shed, Rouen, FR
    2021, Qalqalah, Kunsthalle Mulhouse, Mulhouse, FR
    2020, Subject sitting in darkened room, Barbara Seiler, Zurich, CH
    2020, The Populist, Martin van Zomeren, Amsterdam, NL
    2020, Spare yank’d capstone, Bologna.cc, Amsterdam, NL
    2020, All At Sea, Clap Trap, Antwerp, BE
    2020, In bad faith, Wells Project, London, UK
    2020, Qalqalah, CRAC Occitanie, Sète, FR
    2019, Still Making Art – Volume Two, Studio ORAC, Amsterdam, NL
    2019, Lore of Gilgamesh, De Apotheek, Amsterdam, NL
    2019, I am stuck, very much, because of a missing page, Seager Gallery, London, UK
    2019, Some Things to Talk Aboit, SIGN, Groningen, NL
    2019, Caniche in Space - (Un)building stories, IFAL Casa de Francia, Mexico City, MX
    2019, Interface, Martin Van Zomeren, Amsterdam, NL
    2019, Mouth Mouth, Bikini, Basel, CH
    2019, Solid Arid Splendid, Binz 39 Zürich, CH
    2019, De Dingen De Baas #2, Extrapool, Nijmegen, NL
    2018, I hunt among stones, solo exhibition, Juliette Jongma Gallery, Amsterdam, NL
    2018, Meeting the Universe Halfway, KIT – Kunst im Tunnel, Düsseldorf, DE
    2018, C’est donc un amoureux qui parle et qui dit:, Société des arts, Genève, CH
    2018, The-Merry-Go-Round, group exhibition, Galerie Juliette Jongma, Amsterdam, NL
    2017, Procuration #2, Médiathèque du FMAC, Genève, CH
    2017, From Concrete to Liquid, Centre d’art contemporain, Genève, CH
    2016, Les Incessants, Villa du parc Annemasse: Centre d’art contemporain, Annemasse, FR
    2016, Bourses des fonds Berthoud, Lissignol-Chevalier, Galland, Centre d’Art Contemporain, Genève, CH
    2015, Videocity, Basel, CH
    2015, Plumbing, Galerie Nicolas Krupp, Bâle, CH
    2014, From 199C to 199D, Liam Gillick, Magasin-CNAC, Grenoble, FR
    2014, And the crack in the tea-cup opens a lane to the land of the dead, Piano Nobile, Genève, CH
    2014, 6-4-2, Live In Your Head, Genève, CH
    2014, HD, Live In Your Head, Genève, CH
    2014, Traucum, Parc Saint Léger, Nevers, FR
    2014, Myriorama, Centre d’art Passerelle, Brest, FR
    Residencies
    2023, Fundaziun Nairs (Paul Deiters Stipendium 2023), Scuol, CH. (upcoming)
    2022, EKWC (international artist-in-residence and centre-of-excellence for ceramics), Oisterwijk, NL
    2021 – 2023, WOW Artists in Residence, Amsterdam, NL
    2021, Rupert residency, Vilnius, LT
    2017 – 2018, Rijksakademie van beeldende kunsten, Amsterdam, NL
    2017, Cité Internationale des Arts (studio of the Fond municipal d’art contemporain, canton of Geneva), Paris, FR
    2014, studio of the Fond cantonal d’art contemporain, canton of Geneva, Berlin, DE
    2014, BOX, ENSBA Bourges, FR
    2013, Fieldwork Marfa, USA
    2012, HISK, Ghent, BE
    Publications (Selection)
    2021, Fieldwork Marfa 2011-2020, Ecole des Beaux-arts de Nantes, HEAD–Genève
    2019, LapTopRadio. La radio siamo noi, Link Editions, Milan, IT
    2019, L’expérience de l’exposition – LiveInYourHead 2009-2019, HEAD (Haute école d’art et de design), Genève, CH
    2018, FANFARE INC. TOOLS (issue 2), Fanfare, Amsterdam, NL
    2017, I Hunt Among Stones, Cahier 222, Cahier de la Classe des Beaux-Arts.Genève, CH
    2016, Bibliography, 2016, Fcac, Genève, CH
    2014, And the crack in the tea-cup opens a lane to the land of the dead, Edition Clinamen, Genève, CH
    2014, Dérive – Ramifications d’une notion polysémique, HEAD (Haute école d’art et de design), Genève, CH
    2013, The Archive as a Productive Space of Conflict, Sternberg Press, Berlin, DE
    2012, In Absent Places We Dwell, Active Rat, Bern, CH